I made this film over the past summer. It was commissioned by Showtime for their nifty SHORT stories show. It's a kind of Faux Noir in that it's full of film noir references, but painted with the most un-noir pallet. It's also a kind of Faux feature having been distilled down to the point of abstraction. And it's got one of my favorite Shay Lynch scores.
Moving On
13 years ago
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